信条
发表于 2025-3-25 06:52:53
,Zur Theorie der „permanenten Revolution“,hD in European Law from the European University Institute, Florence, and has previously worked within the MEDIA programme of the European Union. In this interview he outlines the objectives and operation of Eurimages, the impact of co-production on content and also addresses some of the challenges facing European co-productions today.
现任者
发表于 2025-3-25 09:42:06
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扩音器
发表于 2025-3-25 12:16:11
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熄灭
发表于 2025-3-25 18:51:07
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健壮
发表于 2025-3-25 23:03:48
‘Official Co-production in the EU: The Role of Eurimages’—an interview with Roberto OllahD in European Law from the European University Institute, Florence, and has previously worked within the MEDIA programme of the European Union. In this interview he outlines the objectives and operation of Eurimages, the impact of co-production on content and also addresses some of the challenges facing European co-productions today.
Abbreviate
发表于 2025-3-26 01:57:55
Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?n’s attempt to balance the interests of consumers, producers and service providers in the area of cross-border access to audiovisual content and explores co-production as a potential model of European trans-national co-operation that may usefully inform future policy developments
Morsel
发表于 2025-3-26 04:55:35
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厌恶
发表于 2025-3-26 09:42:25
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一加就喷出
发表于 2025-3-26 14:20:08
Palgrave European Film and Media Studieshttp://image.papertrans.cn/e/image/316791.jpg
Fibrillation
发表于 2025-3-26 18:08:28
978-3-319-97156-8The Editor(s) (if applicable) and The Author(s) 2018