Occipital-Lobe
发表于 2025-3-25 04:22:39
Aaron W. Trammell M.D.,Anna R. Hemnes M.D.ave been made of the role of homosexuality in the works of Joseph Conrad, notably among them Richard Ruppel’s 2008 monograph, . To date, there are no such works that investigate fully the possible homosexual themes in O’Neill’s work.
agenda
发表于 2025-3-25 09:20:21
Karim Fizazi MD, PhD,Stephane Culine, “O’Neill introduces such sea illusionism, among other reasons, to contrast the objective and the subjective, to juxtapose real and imagined perceptions … O’Neill expresses a consistent impatience with a single perspective, using the sea’s tempting enchantment to distort supposedly dependable observations.”.
disciplined
发表于 2025-3-25 14:51:34
,“God Stiffen Us”,ave been made of the role of homosexuality in the works of Joseph Conrad, notably among them Richard Ruppel’s 2008 monograph, . To date, there are no such works that investigate fully the possible homosexual themes in O’Neill’s work.
Brochure
发表于 2025-3-25 17:03:22
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陶瓷
发表于 2025-3-25 22:22:57
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Encapsulate
发表于 2025-3-26 00:22:58
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PLUMP
发表于 2025-3-26 05:49:06
ing these texts, during what can be considered O‘Neill‘s formative writing years, and the foundational period of American drama. A wide-ranging investigation into O‘Neill‘s one-acts, the contributors shed light on a less-explored part of his career and assist scholars in understanding O‘Neill‘s entire oeuvre.978-1-137-47177-2978-1-137-04393-1
流动性
发表于 2025-3-26 10:41:53
Jonathan S. Ellison,Pooja Thakrar. But the gap between what is longed for and what can be had is the very stuff of tragedy and is at the heart of O’Neill’s greatest works. “Man’s modern tragedy,” Shaughnessy writes, “is to seek a higher life but to know that it cannot be attained,”. and for O’Neill, “the one eternal tragedy of Man … is the only subject worth writing about.”.
FOLD
发表于 2025-3-26 14:03:59
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hysterectomy
发表于 2025-3-26 18:29:57
Book 2012foundation of his work - both thematically and stylistically, they telescope his later plays. This collection aims to fill the gap by examining these texts, during what can be considered O‘Neill‘s formative writing years, and the foundational period of American drama. A wide-ranging investigation in