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Michael D. Sinclair,Joseph L. Gastwirthovided the Provincetown Players their first and only runaway commercial hit in its initial run, beginning in November of 1920. O’Neill himself ranked it among his best work,. and its adaptation to film and opera, both in 1933, speaks to its commercial and narrative appeal to audiences and artists. S反感 发表于 2025-3-23 14:29:20
https://doi.org/10.1007/978-981-15-0698-7ariat, seized at the point where it is still tragic — that is to say, before politics enters in.”. I would amplify Bab’s point and assert that the play is not merely social commentary. Yank is not just an exploited worker. Conventional analysis insists that even as the play’s staging may be expressi听觉 发表于 2025-3-23 20:18:51
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https://doi.org/10.1007/978-3-031-47141-432), a contrary, and significant, impulse in his dramatic practice is the one-act play. He began his career with . and other sea plays. And at the end of his life, O’Neill was planning six one-acts to be called collectively ., of which only . survives.