investigate
发表于 2025-3-25 06:48:19
Book 2021on, which involves processes of negotiation and interaction between clients and commissioned video makers. On-demand films are considered as a space of collaboration and self-representation, that allows to reflect on the potential of fiction, artifice, and montage to render material desires, aspirations, and ideas of the future..
beta-cells
发表于 2025-3-25 11:28:16
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Ancillary
发表于 2025-3-25 14:22:31
Expanding the Family Frame: Social Specialists, Mediated Experiences, and Gendered Images of Mobilitnational settings, relating those depicted to those engaging in and those watching the videos. They all become part of the social relationships that are inscribed in the video. Yet this imaginary filmic space creates gendered, contested spaces of mobility and immobility.
上下连贯
发表于 2025-3-25 19:16:17
Of Archons and Amateurs: Commissioned Filmmaking in Contemporary Brazilian Cinemae, it not only potentially broadens the spectrum of what receives social attention in non-fiction film, but also opens up documentary discourse to different sources of knowledge and multiple points of view.
边缘带来墨水
发表于 2025-3-25 23:15:53
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dandruff
发表于 2025-3-26 02:50:42
Materials-by-Design: Prospects and Promise,national settings, relating those depicted to those engaging in and those watching the videos. They all become part of the social relationships that are inscribed in the video. Yet this imaginary filmic space creates gendered, contested spaces of mobility and immobility.
消音器
发表于 2025-3-26 06:19:07
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伪造
发表于 2025-3-26 12:30:42
ed video makers. On-demand films are considered as a space of collaboration and self-representation, that allows to reflect on the potential of fiction, artifice, and montage to render material desires, aspirations, and ideas of the future..978-3-030-78913-8978-3-030-78911-4
aquatic
发表于 2025-3-26 13:28:45
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芦笋
发表于 2025-3-26 17:23:17
The Ethnographer as Merchant. Making Commissioned Home Movies in Postsocialist Romaniaased on a long-term inquiry in a Roma village, in Romania, I propose to examine how a commercial social relationship, specific to the practice of commissioned home movies, participates in the meaning of the filmed scenes and in the elaboration of a specific visual and material culture of the postsoc