CRUMB
发表于 2025-3-23 09:41:45
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FACT
发表于 2025-3-23 17:26:33
The Ethnographer as Merchant. Making Commissioned Home Movies in Postsocialist Romaniaular and largely unacknowledged offshoots. In dialogue with the history of visual anthropology and film studies, this case study also sheds light on the power relations that run through the ethnographic relationship and documentary filmmaking.
CHAR
发表于 2025-3-23 21:30:41
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亵渎
发表于 2025-3-23 22:47:10
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CLAMP
发表于 2025-3-24 04:41:06
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antiquated
发表于 2025-3-24 10:32:09
Shooting Elites: An Ethnography of Wedding Film Production for Elitese of the largest state capitals in Brazil’s Northeast, focusing on elites. Weddings’ videos, as we will demonstrate, contribute to class reproduction and are a window to explore the different levels of hegemony that produces those future memories.
GONG
发表于 2025-3-24 14:28:35
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commonsense
发表于 2025-3-24 18:55:08
Multiple Videographies: From Promotional Documentaries to Music Videos of Andean Popular Music in thl layers. Starting from a first case regarding a promotional documentary in the city of Huanta, Ayacucho, we will explore these promotional and performative aspects in cases of Andean folk music videos in Peru.
调整
发表于 2025-3-24 22:00:39
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Mobile
发表于 2025-3-25 00:57:30
On-Demand Postscript: Emergent Engagements in the Anthropology of Images characterize broader relationships that are not merely economic, but subjected to the logic of reciprocity and other forms of social exchange in which the world of images serve to articulate different notions about social belonging, history, modernity, and contemporaneity.