observatory 发表于 2025-3-26 22:24:33
2 Stifled Voicech to the novel’s long-recognized thematization of the protagonist’s struggle for a voice. As in Kang’s work the protagonist’s search for voice and authorship gets conflated with a quest for love. Although the novel makes Janie’s act of storytelling its central action, Sorensen shows that her storyFADE 发表于 2025-3-27 01:20:33
http://reply.papertrans.cn/32/3163/316232/316232_32.png形状 发表于 2025-3-27 08:47:06
http://reply.papertrans.cn/32/3163/316232/316232_33.pngBADGE 发表于 2025-3-27 09:57:39
http://reply.papertrans.cn/32/3163/316232/316232_34.png初学者 发表于 2025-3-27 14:31:12
http://reply.papertrans.cn/32/3163/316232/316232_35.png多余 发表于 2025-3-27 20:17:01
http://reply.papertrans.cn/32/3163/316232/316232_36.png关节炎 发表于 2025-3-28 00:27:21
http://reply.papertrans.cn/32/3163/316232/316232_37.pngChivalrous 发表于 2025-3-28 05:15:23
8 The Challenge of Nonrecoveryuctive. The elements of Kang’s work that have made him difficult to recover resonate with larger debates about the project of critical multiculturalism and the future of Asian American Studies. Here Sorensen models his alternative mode of partial, fragmentary recovery. The outcome of such a recoveryMutter 发表于 2025-3-28 07:02:10
http://reply.papertrans.cn/32/3163/316232/316232_39.pngcallous 发表于 2025-3-28 13:04:07
https://doi.org/10.1007/978-3-86226-333-2s the constrained position of ethnic subjects within modernity. Furthermore, he demonstrates that these authors share a central concern with contemporary practices of critical multiculturalism. This genealogy has gone unrecognized because current practices of literary recovery tend to pass over the