IRS
发表于 2025-3-28 15:43:32
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万花筒
发表于 2025-3-28 22:16:52
https://doi.org/10.1007/978-3-031-65232-5 and recognition. King’s analysis of the history of Indigenous popular music shows how individual performers and performances are a useful means for mainstream audiences to engage with Indigenous reconciliation in Australia.
mortuary
发表于 2025-3-28 23:21:08
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故意
发表于 2025-3-29 03:17:05
,Entering ,: The Sociocultural Value of ‘Semi-Fictional’ Entertainment and Popular Communication,a genre that I dub semi-fictional entertainment, which: contains narrative elements traditionally associated with fiction; relies on real-world events and issues and allows audiences to fold these together as part of everyday sense-making and social orientation.
动作谜
发表于 2025-3-29 08:10:37
,What If ‘Journalism’ Is the ,?: Entertainment and the ‘De-mediatization’ of Politics,and dependency on ‘access’ to political actors, have left it highly vulnerable to exploitation by political strategists. Factual entertainment which breaks from the journalistic mould can, therefore, do a much better job of scrutinizing political power than it is typically given credit for.
WITH
发表于 2025-3-29 11:43:30
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生锈
发表于 2025-3-29 18:34:29
,Why I Wasn’t Interested in Hitchcock Until I Turned 40: Valuing Films as Entertainment,nse, despair and elation. It has an ending that is both happy and satisfying. And it is fun – particularly in its performances. It is important to take Hitchcock seriously as an entertainer – this chapter demonstrates how to value his films for that reason.
纬度
发表于 2025-3-29 20:18:08
Fluff, Frivolity, and the Fabulous Samantha Jones: Representations of Public Relations in Entertainertainment provides critical insight into public relations as a profession and as a practice. We explore how such representations reflect and refract audience understandings about PR, and how this in turn impacts the role and reputation of PR in our society.
badinage
发表于 2025-3-30 00:54:04
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AER
发表于 2025-3-30 06:39:21
Stephen HarringtonBrings together numerous original essays examining what precisely entertainment is and why it matters.Moves the state of entertainment studies as a proto-field further forward.Offers a wealth of opini