拉开这车床
发表于 2025-3-25 04:49:11
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高脚酒杯
发表于 2025-3-25 09:46:38
How Can We Value Entertainment? And, Why Does It Matter?,is chapter sets out to explain how entertainment differs from other types of culture, why it is a useful term for defining domain of study, the limitations associated with medium-specific approaches, and why entertainment should be better understood.
小臼
发表于 2025-3-25 15:02:41
What Is Entertainment? The Value of Industry Definitions, definition of ‘entertainment’. From an entertainment industry perspective, entertainment is defined and characterised by its audience-centred, commercial nature, rather than by its content, its genre, its audience, or the kind of emotional response it may or may not elicit from its consumers.
heterogeneous
发表于 2025-3-25 16:27:43
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Sarcoma
发表于 2025-3-25 22:44:09
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逃避责任
发表于 2025-3-26 01:36:30
Background to Transatlantic Relations,a genre that I dub semi-fictional entertainment, which: contains narrative elements traditionally associated with fiction; relies on real-world events and issues and allows audiences to fold these together as part of everyday sense-making and social orientation.
懒洋洋
发表于 2025-3-26 05:57:05
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破布
发表于 2025-3-26 09:40:19
Crossing Over: The Spiritualist Atlantic, of specific content, these participatory behaviours point towards broader cultural and ideological flows. The chapter focuses specifically on the #YesAllWomen and ‘not all men’ memes popularised in 2013, which illustrate memes’ ability to spur meaningful conversation, as well as the inescapably political standpoint of participants.
Prologue
发表于 2025-3-26 13:02:39
https://doi.org/10.1007/978-3-322-83323-5nse, despair and elation. It has an ending that is both happy and satisfying. And it is fun – particularly in its performances. It is important to take Hitchcock seriously as an entertainer – this chapter demonstrates how to value his films for that reason.
Intellectual
发表于 2025-3-26 19:23:47
https://doi.org/10.1007/978-3-322-80721-2ertainment provides critical insight into public relations as a profession and as a practice. We explore how such representations reflect and refract audience understandings about PR, and how this in turn impacts the role and reputation of PR in our society.