chlorosis
发表于 2025-3-28 16:20:47
Colouring the Englishenclosing and exclusive sameness. The xenophobia to which English people subject Anna is articulated in the novel through business involving flowers, horticultural tropes and a discourse of breeding which Philip Cohen suggests is one of the ‘essential idioms racism’ integral to ‘a m
神经
发表于 2025-3-28 20:23:37
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机械
发表于 2025-3-28 23:25:46
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Left-Atrium
发表于 2025-3-29 04:28:11
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干涉
发表于 2025-3-29 09:45:11
Black Families in Buchi Emecheta’s England(s) identified as Emecheta’s ex-husband Sylvester Onwordi, as ‘literature of insult’ tantamount to murder of his spirit.. Afam Ebeogu refers to Emecheta’s ‘personal opinion about the male chauvinistic perversions in an African culture’ (85). ‘It is when you’re out of your country that you can see the f
Pantry
发表于 2025-3-29 13:36:06
‘Ellowen, Deeowen’: Salman Rushdie and The Migrant’s Desirernal engulfment, each cast a distinct shadow on the ‘politics’ of his revulsion for the nation. In contrast, in ., and incidentally, in the few England scenes of ., it looks as though England has finally made a politics out of Rushdian migrancy. The former novel, especially, seems redolent of Britis
过于平凡
发表于 2025-3-29 18:35:10
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Homocystinuria
发表于 2025-3-29 22:29:54
England Through Colonial Eyes in Twentieth-Century Fiction
ENNUI
发表于 2025-3-30 02:16:59
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employor
发表于 2025-3-30 06:09:46
Daniele Antonio Di Pietro,Jérôme Droniouern; a class of persons Indian in blood and colour, but English in taste, in opinions, in morals, and in intellect’ (430). Twentieth-century writers from the British empire and its decolonizing nations regularly attest to the ways in which being English-speaking and having been educated in the knowl