兴奋过度 发表于 2025-3-26 23:01:53

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shrill 发表于 2025-3-27 01:33:39

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充满人 发表于 2025-3-27 05:26:31

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ANTE 发表于 2025-3-27 11:39:39

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municipality 发表于 2025-3-27 14:17:21

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课程 发表于 2025-3-27 17:59:42

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温和女人 发表于 2025-3-27 22:17:09

Black Families in Buchi Emecheta’s England(s) as an optimization of the ‘raw material’ of ‘her own story, her mothers’s story, her father’s story, her brother’s story, her children’s stories, and the stories of her friends and acquaintances in England’ (229); and as a purveying of ‘reprehensible aspects of Nigerian life retarding societa

惰性气体 发表于 2025-3-28 02:17:43

‘Ellowen, Deeowen’: Salman Rushdie and The Migrant’s Desireect. Like his other novels, . uses the discourse of migrancy as the launching pad for an attack on nationalism. And yet, this chapter will argue, for all his attempts to underscore the objective political validity of his anti-nationalist narratives, Rushdie’s work is severely constrained by its libi

Galactogogue 发表于 2025-3-28 07:11:58

Liberating ‘contrasting spaces’: David Dabydeenexperience’ (. 10). ‘The British Empire…was as much a pornographic as an economic project’, he proposes (‘On Not Being Milton’ 61).. Dabydeen’s later volumes of poetry . (1988) and . (1994) and his novels . (1991), . (1993), . (1996), and . (1999) offer further imaginative elaborations of this propo

摸索 发表于 2025-3-28 10:50:31

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查看完整版本: Titlebook: England Through Colonial Eyes in Twentieth-Century Fiction; Ann Blake,Leela Gandhi,Sue Thomas Book 2001 Ann Blake, Leela Gandhi and Sue Th