珠宝 发表于 2025-3-23 13:17:58
Conclusion,law’. Our Girl Guide ‘hut’, which had very little in common architecturally with an actual hut, what with its brick veneer, was watched over by a framed portrait of Queen Elizabeth II. The print had presumably been a fixture, along with the battered Brownie ‘toadstool’, since Guiding had begun in myLittle 发表于 2025-3-23 17:07:56
Book 2011While the gender and age of the girl may seem to remove her from any significant contribution to empire, this book provides both a new perspective on familiar girls‘ literature, and the first detailed examination of lesser-known fiction relating the emergence of fictional girl adventurers, castaways and ‘ripping‘ schoolgirls to the British Empire.FLIP 发表于 2025-3-23 19:21:31
http://reply.papertrans.cn/31/3089/308834/308834_13.pngOverthrow 发表于 2025-3-24 01:11:45
978-1-349-32352-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2011Generosity 发表于 2025-3-24 05:21:22
http://reply.papertrans.cn/31/3089/308834/308834_15.png小步走路 发表于 2025-3-24 10:02:14
Critical Approaches to Children‘s Literaturehttp://image.papertrans.cn/e/image/308834.jpg烦忧 发表于 2025-3-24 13:46:36
http://reply.papertrans.cn/31/3089/308834/308834_17.pngBrain-Imaging 发表于 2025-3-24 18:14:49
Qualitative Personalbedarfsplanung,tantial attention to girls’ genres largely neglected in existing scholarship. Peter Hunt and Karen Sands observe that ‘the importance of the Empire to British children’s literature … is taken as a truism by children’s literature historians’ (1999, p. 40). The omnipresence of empire in British culturBrocas-Area 发表于 2025-3-24 19:08:57
Personalmanagement für Kreativschaffendect with the culture which produces them and which they produce. Rather than simply functioning as purveyors of ideology, magazines are places ‘where meanings are contested and made’ (Beetham, 1996, p. 5). The late nineteenth century is a particularly rich period in which to examine magazines for you逗它小傻瓜 发表于 2025-3-25 02:06:23
https://doi.org/10.1007/978-3-663-08847-9the 1880s, substantially later than the mid-Victorian boys’ genre, and, as it became a publishing phenomenon in the twentieth century, developed to reflect modern femininity. Beginning with eighteenth-century fiction with a school setting, such as Sarah Fielding’s . (1749), and through to the influe