Corrugate
发表于 2025-3-21 16:34:33
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champaign
发表于 2025-3-21 22:14:37
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PUT
发表于 2025-3-22 01:34:33
Playing Ghismonda for ‘fooles’ and ‘noble freinds’: Revising for Performance Between , and , including . This chapter considers the ‘Ghismonda’ play manuscripts as the work of John Newdigate III and argues that the revisions evident between the manuscripts suggest specific performance conditions and reveal something of the way amateur dramatic texts were revised and circulated in literary
EXPEL
发表于 2025-3-22 08:33:28
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TOXIC
发表于 2025-3-22 11:52:40
(Un)Editing with (Non-)Fictional Bodies: Pope’s Daggersnts a more polished presentation copy and incorporates many of the revisions witnessed in the Arbury (and some other revisions, as well). The play itself is a five-act romantic comedy set in rural England, featuring a corrupt Justice Thrifty, his daughter and her suitor, and several other comic char
FLIC
发表于 2025-3-22 15:22:40
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FLIC
发表于 2025-3-22 18:55:59
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浮雕
发表于 2025-3-23 00:10:30
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Virtues
发表于 2025-3-23 03:33:41
Low-Mass Protostars and Protostellar Stagesng or imagining of performance is thus the printed playtext’s gift and challenge: through dialogue and stage directions as well as supplementary material such as commentary notes, performance histories in introductions, illustrations and photographs, active readers can gain or enhance an understandi
宣称
发表于 2025-3-23 05:34:26
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