insurrection
发表于 2025-3-27 00:04:59
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Demulcent
发表于 2025-3-27 04:06:56
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使厌恶
发表于 2025-3-27 05:37:52
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自负的人
发表于 2025-3-27 11:16:45
Playing Ghismonda for ‘fooles’ and ‘noble freinds’: Revising for Performance Between , and ,he play ever saw print, I argue that the manuscripts do show clear indications of a life in performance and revisions aimed at achieving such a life. The plays are untitled in manuscript, though I have called them . and . to differentiate the two substantially different versions of the same play. Th
领先
发表于 2025-3-27 13:58:21
Cressida’s Letter: Readings and Performances in the Shakespearean Archiveplaytexts can be linked to some kind of performance — actual or imagined, remembered or forgotten. Within this triangulated space, a reader’s engagement with a play’s performance potential will be influenced by numerous factors: the particular edition being read, and this edition’s representations o
definition
发表于 2025-3-27 18:02:43
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Cervical-Spine
发表于 2025-3-28 00:55:20
Influencing Editors, Influencing Performers: The Page to Stage Relationshiperiments in practice-based theatre like those undertaken at Shakespeare’s Globe. The second is the availability of primary resources digitally which can help to make more complex and more transparent the job of any editor of the plays. In the Introduction to . Helen Ostovich, Holger Schott Syme and
鬼魂
发表于 2025-3-28 05:53:52
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Mucosa
发表于 2025-3-28 08:51:59
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cochlea
发表于 2025-3-28 10:40:27
showcase cutting-edge research practices and approaches in textual editing, and in manuscript and performance studies to produce new ways of reading and working for students and scholars.978-1-349-45763-2978-1-137-32011-7