Enthralling
发表于 2025-3-27 00:33:30
Edith Wharton and the Conversations of Literary Modernism
勉强
发表于 2025-3-27 03:38:34
G. Gerken,K.-H. Meyer zum Büschenfeldeew forms. From Henry James to James Joyce to William Faulkner, authors found that the “impression” corresponded usefully to the psychological processes they hoped to capture in words. Ezra Pound’s editing of T. S. Eliot’s . produced a poem without transitions that required readers to fill in the gap
Petechiae
发表于 2025-3-27 05:54:38
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花束
发表于 2025-3-27 09:42:16
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Colonnade
发表于 2025-3-27 16:21:18
https://doi.org/10.1007/978-3-642-74316-0inition, a writer such as Edith Wharton was excluded from the elite club of artists. She herself did not define an artist in this way, however, and her stridency against modernism no doubt comes in part from her anger at what she saw as an idealistic, misogynist, misanthropic, and extremely narrow d
过时
发表于 2025-3-27 21:22:12
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amygdala
发表于 2025-3-27 23:32:36
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调味品
发表于 2025-3-28 04:03:42
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Initial
发表于 2025-3-28 10:00:09
,Antimodernism and Looking Pretty: Wharton’s Artistic Practice,inition, a writer such as Edith Wharton was excluded from the elite club of artists. She herself did not define an artist in this way, however, and her stridency against modernism no doubt comes in part from her anger at what she saw as an idealistic, misogynist, misanthropic, and extremely narrow d
verdict
发表于 2025-3-28 10:42:34
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