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https://doi.org/10.1007/978-3-642-74316-0land or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use—silence, exile, and cunning” (247). A few years later, in . (1920), F. Scott Fitzgerald’s alter ego Amory Blaine finds “饶舌的人 发表于 2025-3-25 16:46:21
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2634-579X Overview: This study imagines modernism as a series of conversations and locates Edith Wharton s voice in those debates.978-1-349-37251-5978-0-230-61201-3Series ISSN 2634-579X Series E-ISSN 2634-5803