寓言
发表于 2025-3-21 17:24:36
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bibliophile
发表于 2025-3-21 21:55:04
,“ fictive person / around whom the air is blurred with money”: Precarious Labor and the Work of artistic creation in ways that transform the precarity, or even the deanimation, of its creator into something necessary, partly by binding automation to autonomy. What is ultimately brought to life in these volumes is language, though it can’t help gesturing at its inanimate origin.
arbovirus
发表于 2025-3-22 00:38:51
,“Miss Thing”: Prosopopeia, Aliveness, and the Female Consumer,isons and objectifies women by pretending to set them free, but both also resist confinement using several strategies, including puns that subvert dominant power structures in Mullen’s volume and occasional acknowledgments in Ruefle’s of the plight of the workers who provide her poem’s speaker with
发怨言
发表于 2025-3-22 07:48:13
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interference
发表于 2025-3-22 12:20:46
Book 2023hasize the historical, racialized, and ethical contexts of contemporary economics. As the book explores financialization’s representation in recent poetry, it redresses arguments that poetry is irrelevant to contemporary culture..
committed
发表于 2025-3-22 13:03:23
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committed
发表于 2025-3-22 20:22:41
Thomaz Wood Jr.,Ana Paula Paes de Paulaisons and objectifies women by pretending to set them free, but both also resist confinement using several strategies, including puns that subvert dominant power structures in Mullen’s volume and occasional acknowledgments in Ruefle’s of the plight of the workers who provide her poem’s speaker with
CHASE
发表于 2025-3-22 21:33:11
Barings: The Crashing of a Venerable Bank,l repayment. Rather than bring the dead back to life, or even restore them to wholeness, both volumes depict scenes of displacement, translation, and transposition that emphasize the poem’s (figurative) aliveness while paradoxically embracing indebtedness.
袋鼠
发表于 2025-3-23 05:07:44
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FACT
发表于 2025-3-23 07:05:51
Hubert Österle,Claudia Brenner,Thomas Hessmble about the future. Both volumes, I argue, engage in negative bets that attempt to profit from the book’s future obsolescence. Paradoxically, by evoking their authors’ handiwork, both summon up their future readers.