牛马之尿 发表于 2025-3-23 11:53:37
http://reply.papertrans.cn/31/3011/301016/301016_11.pngFrequency 发表于 2025-3-23 15:34:16
http://reply.papertrans.cn/31/3011/301016/301016_12.pngToxoid-Vaccines 发表于 2025-3-23 20:47:10
Adolescent Decision-Making Toward Motherhoodt a career in Poland and exploring Polish culture through his work was ultimately more important to him than participating in the global music market. His story is thus ‘post-colonial’ in the sense of experiencing both liberation from colonial influences and not caring about colonial powers.SKIFF 发表于 2025-3-23 23:57:19
http://reply.papertrans.cn/31/3011/301016/301016_14.png人充满活力 发表于 2025-3-24 03:57:56
https://doi.org/10.1007/978-3-030-82583-6 pan-European network that connected popular music industries on both sides of the Iron Curtain, and how Intervision contributed to the forming of a common European popular culture by showcasing stars who were popular in both Eastern and Western Europe.古董 发表于 2025-3-24 10:29:24
http://reply.papertrans.cn/31/3011/301016/301016_16.pnggonioscopy 发表于 2025-3-24 12:56:15
http://reply.papertrans.cn/31/3011/301016/301016_17.pngfixed-joint 发表于 2025-3-24 15:40:03
http://reply.papertrans.cn/31/3011/301016/301016_18.png别炫耀 发表于 2025-3-24 19:58:21
Success, Failure, Splendid Isolation: Czesław Niemen’s Career in Europet a career in Poland and exploring Polish culture through his work was ultimately more important to him than participating in the global music market. His story is thus ‘post-colonial’ in the sense of experiencing both liberation from colonial influences and not caring about colonial powers.Chemotherapy 发表于 2025-3-25 03:11:56
Balkan High, Balkan Low: Pop-Music Production Between Hybridity and Class Struggleials of the social substrate situated at the periphery of the capitalist system, from the masses within the peripheral regions to immigration. Hence this logic reveals the hidden class nature of Balkan pop music, dividing its current streams into two different camps of producers and consumers.