叛乱分子
发表于 2025-3-21 19:17:04
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Inflated
发表于 2025-3-21 20:45:47
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发现
发表于 2025-3-22 03:58:14
Process to Performance: Merce Cunningham and Richard Hamiltonduals entrusted with imparting knowledge of Cunningham’s repertoire and restaging it for an international dance community. Dance companies were not authorised to perform his repertoire until after the initiation of the Legacy Plan by members of the Cunningham Dance Foundation in 2009. One question a
Ringworm
发表于 2025-3-22 05:06:26
From Page to Stage: Irish Dance Costumes and Illustrations from the Book of Kells followed by the ornamentation of Irish step dance costumes from the 1920s onwards. This chapter explores the adoption of Kells-based decorations for step dance outfits and describes how such costumes were employed to promote a cultural nationalism based on principles akin to those possessed by the
安慰
发表于 2025-3-22 09:05:43
Articulating Dancing Bodies: Social and Pictorial Representations in Early Buddhist Arts from Indiabody of other characters are depicted with equal care and attention and are important as tangible remnants. For example, the figures in the Jataka stories in Ajanta painting belonging to different historical periods provide clear socio-historical frames of reference that can be re-affirmed through t
ciliary-body
发表于 2025-3-22 14:20:59
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ciliary-body
发表于 2025-3-22 19:14:09
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encomiast
发表于 2025-3-23 01:01:17
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faculty
发表于 2025-3-23 01:35:59
ted and modern art and all their social aspects of human life. Digitization also remains a strong focus in both dance and its representation in performance contexts and place in social constructs of societies.978-3-031-69086-0978-3-031-69084-6
Visual-Acuity
发表于 2025-3-23 06:50:20
r dance . (1998). With her all-male company, she plays with and deconstructs his gender and desire representations, thus elaborating on discourses of feminist critique of her era. Arkadi Zaides’ solo . (2014) was created from violent materials filmed by Palestinian volunteers of Israeli settlers in