惊惶 发表于 2025-3-28 15:06:26
Articulating Dancing Bodies: Social and Pictorial Representations in Early Buddhist Arts from Indiae produced in the religious domain, their pictorial tool is guided by the conventions as well as strategies of presentation of human life through the artistic procedure with an idea to create a contextual representation of an artistic impression of lived realities. There are solo figures as well asalcohol-abuse 发表于 2025-3-28 20:19:53
Dancing Clay: On Kinaesthetic Experience and Tactile Materializationtely”. Upon reflection, however, I wondered how that could be, my dancing assisting my sculpting, and why he thought he could recognise such in the forms I created. It “definitely” deserved more pondering and exploration than an instance of feeling charmed. Here, I seek to offset the little thoughtSSRIS 发表于 2025-3-29 01:29:41
From Physical Sensation to Digital Presentation: Exploring Interdisciplinary Worldbuildingtic digital societies within a Massive Multiplayer Online (MMO) gaming community. Establishing it as the new field of Ludochoreology, the authors will explore the process of engaging with the process of movement and dances created for, and found within, online digital games. From a practice-as-reseaRodent 发表于 2025-3-29 06:27:09
Frozen Scenography: Extending Somatic Movement Practice Through 3D Scanning environmental somatic movement research. We question how somatic dance practice may be transmitted through the creation of 3D models and how these might be explored as standalone digital artworks within larger immersive virtual environments. How might navigable 3D documentation mediate the somatic时代 发表于 2025-3-29 09:36:22
Paul Darbyshire,Adam Darbyshireong them are the use of new construction materials in extreme conditions and the intensification of technological processes. The increasing tendency toward rapprochement of mechanics with physics is closely connected with these factors. The internal logic of the development of continuum mechanics as a science is also important.