租期
发表于 2025-3-21 16:41:22
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美学
发表于 2025-3-22 00:08:40
Zverkov and Lizaes up the last half of the novella. As we have seen, the underground man tries to protect himself against the pain of human contact by withdrawing into his private solitude and living in a world of fantasy. He cannot dream for more than three months at a time, however, “without feeling an irresistib
Microgram
发表于 2025-3-22 03:00:13
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Resistance
发表于 2025-3-22 04:35:58
Rhetoric in , perspectives, with thematic approaches dominating. In “Notes from Underground,” the first person narration makes it difficult to determine where the author stands; the work’s thematic import can be established only by placing it in its historical context and appreciating its parodistic and satiric
Chandelier
发表于 2025-3-22 11:09:16
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蔑视
发表于 2025-3-22 13:59:57
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蔑视
发表于 2025-3-22 18:51:07
Thematic Analysis of ,its ideological aspirations, and its intricate formal patterns are endlessly rewarding to contemplate. It contains, moreover, a brilliant array of mimetic portraits that embody Dostoevsky’s profoundest psychological intuitions. Ivan is one of the greatest character creations in literature; and he an
贝雷帽
发表于 2025-3-22 22:21:41
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Perineum
发表于 2025-3-23 01:33:05
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步履蹒跚
发表于 2025-3-23 06:56:14
Alyosha: History, Personality, and Relationship With Zossimachard Peace is right in arguing that Alyosha is “at the centre of the novel” (1971, 229). As Peace points out, except for the events surrounding the murder of Fyodor, “there is scarcely one important scene” at which Alyosha is not present (221). Ivan, Dmitri, and Fyodor open their hearts and minds t