Titlebook: Domestic Labor in Twenty-First Century Latin American Cinema; Elizabeth Osborne,Sofía Ruiz-Alfaro Book 2020 The Editor(s) (if applicable) - BOOKS with Alphabet D (Da, Db,Dc, Dd, De…... ) - 派博传思国际中心

徽章发表于 2025-3-21 18:47:49

书目名称Domestic Labor in Twenty-First Century Latin American Cinema影响因子(影响力) http://figure.impactfactor.cn/if/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema影响因子(影响力)学科排名 http://figure.impactfactor.cn/ifr/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema网络公开度 http://figure.impactfactor.cn/at/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema网络公开度学科排名 http://figure.impactfactor.cn/atr/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema被引频次 http://figure.impactfactor.cn/tc/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema被引频次学科排名 http://figure.impactfactor.cn/tcr/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema年度引用 http://figure.impactfactor.cn/ii/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema年度引用学科排名 http://figure.impactfactor.cn/iir/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema读者反馈 http://figure.impactfactor.cn/5y/?ISSN=BK0282544 书目名称Domestic Labor in Twenty-First Century Latin American Cinema读者反馈学科排名 http://figure.impactfactor.cn/5yr/?ISSN=BK0282544

faculty 发表于 2025-3-21 22:53:26

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SOW 发表于 2025-3-22 01:41:02

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maudtin 发表于 2025-3-22 08:31:47

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祖先发表于 2025-3-22 11:24:02

Veit-Michael Bader,Albert Benschophe center of . (Sebastián Silva 2009, Chile), . (Jorge Gaggero 2004, Argentina), and . (Andrés Clariond 2014, Mexico). These films represent the figures of the maid and her female employer, who perceives herself as superior, and, as such, presents a heteronormative “model” of womanhood predicated on

破布发表于 2025-3-22 16:30:58

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破布发表于 2025-3-22 20:42:58

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Vsd168 发表于 2025-3-23 09:23:20

https://doi.org/10.1007/978-3-322-97864-6 workers within the dynamics of power in Brazilian society. By comparing cinematic representations of ., the chapter interrogates whether they can negotiate their humanity in a place—the house of their employers—where they must be serviceable and yet invisible. In his study, Minchillo analyzes how d

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