Connotation
发表于 2025-3-27 00:32:58
,Defamiliarizing the Maid: Alicia Scherson’s ,ship, Scherson presents a social critique that defies a more social realist cinema as presented in the later film ./. (Sebastián Silva, Chile, 2009), in which the family remains the idealized figure for social relations.
Hemoptysis
发表于 2025-3-27 04:10:39
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少量
发表于 2025-3-27 07:43:26
Innovationen im lokalen Wettbewerby portrays a number of domestic workers as protagonists with agency, complexity, and subjectivity. Two more recent films, . and ., are briefly examined to support this claim and provide examples of new representations of domestic workers as opposed to the historical narrative of the 1970s present in ..
小步舞
发表于 2025-3-27 09:47:30
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esoteric
发表于 2025-3-27 14:18:51
https://doi.org/10.1007/978-3-322-97864-6 pose the Mexican female domestic worker as a character who reinforces patriarchal and nativist agendas within current debates of immigration and national identity in the twenty-first-century United States.
FIG
发表于 2025-3-27 19:00:44
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Relinquish
发表于 2025-3-28 00:01:31
Moving Beyond Maternalism: Negotiating Models of Womanhood in ,, ,, and ,iate their responses to the employers’ models and their maternalism. Osborne concludes that the maids’ final movements beyond the household indicate a potential rupture in the distinctions established by their employers.
DRILL
发表于 2025-3-28 03:22:58
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小淡水鱼
发表于 2025-3-28 10:07:03
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细查
发表于 2025-3-28 11:26:07
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