fathom 发表于 2025-3-21 19:27:09

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可行 发表于 2025-3-21 21:42:51

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样式 发表于 2025-3-22 03:44:57

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amplitude 发表于 2025-3-22 07:55:38

—Milo Rauclose reading of . from the perspective of the dramaturgical mode of looking introduced in Chap. 3 and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.

马具 发表于 2025-3-22 09:56:19

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袭击 发表于 2025-3-22 16:47:57

2947-6801 r makers.Explores how doing dramaturgy is informed by today’.This book explores how doing dramaturgy is informed by today’s highly diverse field of theatre, dance and performance. It does so in dialogue with fourteen performances and their makers, tracing the thinking-through-practice that underlies

袭击 发表于 2025-3-22 17:36:07

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禁令 发表于 2025-3-22 23:08:44

https://doi.org/10.1007/978-1-349-01642-6do as a result of how they are constructed. The chapter also shows how this approach works toward an understanding of performances and their modes of operating that is relational, processual, and ecological.

Fantasy 发表于 2025-3-23 04:13:48

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chlorosis 发表于 2025-3-23 07:14:12

Tyssot De Patot and His Work 1655 – 1738ces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.
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查看完整版本: Titlebook: Doing Dramaturgy; Thinking Through Pra Maaike Bleeker Textbook 2023 Springer Nature Switzerland AG 2023 Dramaturgy.Practice.Practice as res