动机
发表于 2025-3-26 21:49:00
https://doi.org/10.1007/978-1-349-01642-6directing a dramaturgical mode of looking toward creative processes as themselves the outcome of choices made and decisions taken in organizing them. The chapter then looks at various ways in which dramaturgy contributes to setting collaborative making-thinking in motion and identifies seven modes o
似少年
发表于 2025-3-27 02:08:02
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过滤
发表于 2025-3-27 07:36:30
,Abkürzungen und Formelgrössen,en rules devised to support the development of Rau’s “City Theatre of the Future” project. . is an example of what Rau calls .: art that makes experiential how historical and contemporary events exist at the intersection of multiple realities without erasing this complexity. This chapter presents a
ambivalence
发表于 2025-3-27 12:17:04
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闲逛
发表于 2025-3-27 15:43:10
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infelicitous
发表于 2025-3-27 19:22:35
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Bucket
发表于 2025-3-28 01:03:48
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公式
发表于 2025-3-28 02:24:40
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去才蔑视
发表于 2025-3-28 07:41:11
https://doi.org/10.1007/978-94-017-4692-2her inspiration from theory and philosophy and works in extended periods of theoretical and scenic research. . (2017) is a one-person show inspired by the work of plant philosopher Michael Marder and plant neurologist Stefano Mancuso, as well as various other posthumanist and new materialist thinker
Rheumatologist
发表于 2025-3-28 10:52:56
https://doi.org/10.1007/978-3-322-97658-1ce is an example of how Verdonck’s posthuman perspective on the human condition is also reflected in his approach to making theatre, in which creation is not a matter of externalizing ideas conceived by autonomous creators but the result of engaging with and listening to the materials one works with