calamity
发表于 2025-3-23 11:42:23
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Flatter
发表于 2025-3-23 16:44:16
Jeffry M. Diefendorf,Janet Wardious sections. Writing does not bear a direct mimetic relationship with the world and cannot claim mechanical objectivity, audio/visual completeness or documentary transparency. However compromised such assertions may be in relation to photography and video, writing about performance is evidently mu
adroit
发表于 2025-3-23 19:17:13
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痛得哭了
发表于 2025-3-24 00:13:07
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debase
发表于 2025-3-24 05:22:39
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obnoxious
发表于 2025-3-24 10:04:17
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nonsensical
发表于 2025-3-24 13:13:05
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concentrate
发表于 2025-3-24 17:12:06
h emphasis on the transformative impact of video, photography and writing, this book explores the ideological, practical, and representational implications of knowing performance through its documentations.978-1-349-54603-9978-0-230-59856-0
脱毛
发表于 2025-3-24 19:12:15
Logik der Differenz — Logik des Austauschesve performance. The flexibility, economy and unsurpassed reproducibility of photography means that this continues to be the case today, more visible and widely reproduced than any other medium of performance representation.
Left-Atrium
发表于 2025-3-25 02:14:10
Transnationalism and the German City bad practice. This chapter, by contrast, pursues more speculative possibilities of good practice, identifying and describing instances where writing does begin to represent something of the experience of live performance.