Eviction
发表于 2025-3-25 06:00:02
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走调
发表于 2025-3-25 10:22:23
Rules of Charity: , and the Counterfeit-Disability Tradition,ty. The play presents an early modern notion of the non-standard body that resists determinism. Instead, by dissembling disability with his authentically impaired body, . reveals that performance—rather than predestination—makes Richard truly threatening.
integral
发表于 2025-3-25 13:49:02
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启发
发表于 2025-3-25 19:06:43
The Long Bones, General Commentsnd to inoculate him (and the audience) against the dangerous ethics of that vengeance. Further, Row-Heyveld argues that consistent attention to audience interpretation—where skillful spectators suspect counterfeit disability and faulty spectators believe and pity dissemblers—fosters suspicion about disability off-stage as well.
向外
发表于 2025-3-25 21:54:02
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祖传财产
发表于 2025-3-26 02:17:55
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needle
发表于 2025-3-26 08:10:45
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大吃大喝
发表于 2025-3-26 11:38:30
Act the Fool: , and the Conventions of the Counterfeit-Disability Tradition,nd to inoculate him (and the audience) against the dangerous ethics of that vengeance. Further, Row-Heyveld argues that consistent attention to audience interpretation—where skillful spectators suspect counterfeit disability and faulty spectators believe and pity dissemblers—fosters suspicion about disability off-stage as well.
constellation
发表于 2025-3-26 15:23:02
Double Dissimulation: Counterfeit Disability in ,he counterfeit-disability tradition, this chapter also illustrates how he uses it both to criticize the systems of power that sought to define disability in early modern England and, simultaneously, to suggest that disability was difficult to detect, always potentially false, and undeserving of charity.
glisten
发表于 2025-3-26 17:34:52
Mandated Masquerade: Disability, Metatheater, and Audience Complicity in , and ,eal audience complicity in creating performative disability. Yet, the tradition also discloses the costs of such skepticism, showing how requiring performativity from disability incriminates audiences in that performance.