监督 发表于 2025-3-21 19:20:02
书目名称Digital Feeling影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0279299<br><br> <br><br>书目名称Digital Feeling读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0279299<br><br> <br><br>Immunization 发表于 2025-3-21 20:19:37
,Gender, Race, Nation … and Barbie Savior, engage in aid efforts and humanitarianism. We locate Barbie Savior as a ‘silly archive’ that speaks to important issues, while located in a gendered postfeminist sensibility that makes Barbie Savior’s critique intelligible. To analyse Barbie Savior, we read it alongside critiques of the white savioforecast 发表于 2025-3-22 01:37:02
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Making-Up Enterprising Selves,nine, before introducing the format of Get Ready With Me (GRWM), a style of beauty and influencer video in which (mostly) young female-identified people talk through their make-up routines for different activities (e.g. a date, girls night). In this chapter, we explore how these videos fit with new哑巴 发表于 2025-3-22 09:04:04
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Epilogue: Digital Feeling,ital and non-digital, public and private. We make a case for seeing all the examples we have used as ‘silly archives’, ones that deserve to be taken seriously and reveal important elements of our emotional worlds, structural inequality and intimate relationalities. We also reflect on the way emotion浮夸 发表于 2025-3-22 22:14:01
https://doi.org/10.1007/978-3-031-23562-7Digital culture; Postfeminism; Postdigital culture; Affect studies; Digital intimacy; Gender and digitalPANIC 发表于 2025-3-23 04:31:45
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