欺骗某人
发表于 2025-3-21 17:33:02
书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK0278368<br><br> <br><br>书目名称Die ästhetisch-narrativen Dimensionen des 3D-Films读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK0278368<br><br> <br><br>
needle
发表于 2025-3-21 23:49:00
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Onerous
发表于 2025-3-22 02:24:14
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plasma
发表于 2025-3-22 06:05:24
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考博
发表于 2025-3-22 11:42:28
,,—Towards a Stereoscopic Poetics of Deep Space,alyses of both the screenplay and the final film, this chapter draws out .s key 3D aesthetics as evidenced within the script dialogue, direction, on-screen performance and the film’s resultant visual regime, which include both the presence of some emergent characteristics as well as the recurrence of others.
Diluge
发表于 2025-3-22 14:52:19
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Diluge
发表于 2025-3-22 20:27:50
,Zwischen Rückzugsdrang und Fortschrittszwang: Die Umwertung technologischer Bezüge in ,,inematic reflections can also be considered as a parallel development to contemporary philosophies of technology. This chapter explicates and verifies this claim using the example of . (Guillermo del Toro, 2013).
dermatomyositis
发表于 2025-3-22 21:54:53
Transformative Bodies in 3D Cinema: Computer Generated Morphing and Extra-sensory Depth Cues,tal code. This chapter discusses 3D films that demonstrate the transformative capacity of human bodies in digital stereoscopic films with an emphasis on the way presence and proximity, as well as tactile and sensory visual fields, are maintained and reconfigured across these transformations.
PLIC
发表于 2025-3-23 03:51:56
Alfred Hitchcocks , (1954): 3D als Strategie des narrativen Bildraums,s on the relationship between the fictional narrative space and the aesthetic three-dimensional space. Thereby she deals with those scenes in particular that have been disregarded by academic discourse so far, but, according to Rubes, need to be characterised as stereoscopic narrative and aesthetic “key scenes” (Hall 2004).
小母马
发表于 2025-3-23 07:47:20
,. Das Unbewusste des 3D-Kinos 1953,d electronically produced sound is concerned, which are also reflexively dealt with on the level of story. Thus in a range of scenes and sequences a “monocular gaze”—not at least embodied by the one-eyed aliens themselves—is emphasised in contrast to the binocularity of stereoscopy.