瘦削
发表于 2025-3-21 17:25:40
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HERE
发表于 2025-3-21 23:49:25
,Neoliberalism and the ‘Recolonisation’ of Africa,ainst the achievements and aspirations of social democracy in the first world, ‘actually existing socialism’ in the second world and decolonisation in the third world. This period saw the preservation of the authoritarian states that much of Africa inherited from the European colonial empires. The e
朝圣者
发表于 2025-3-22 03:44:13
,Performance and Power I: Ngũgĩ wa Thiong’o’s , d’Ivoire, perform and reperform dictatorial power. These texts resemble classic Latin American dictator novels because of the way they perform political power by staging its operations, dramatising its precariousness and exposing it to censure and disavowal. The techniques of fiction here become a
grieve
发表于 2025-3-22 07:47:38
,Performance and Power II: Ahmadou Kourouma’s ,l and theoretical frameworks emphasise processes of rupture and decentring in West African history since the end of the Cold War, Kourouma’s novel insists on the deplorable continuity of dictatorial power in postcolonial Africa. The novel’s apparent glorification of dictatorship and its seemingly fe
庄严
发表于 2025-3-22 10:08:40
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Innovative
发表于 2025-3-22 13:35:09
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Innovative
发表于 2025-3-22 20:02:17
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增长
发表于 2025-3-23 01:02:03
Kontinuität des Arbeitsprozesses dissent. This novel, like Ngũgĩ’s, bemoans the essential continuities in postcolonial African history while using performances of dictatorial power to incite acts of democratic and even revolutionary praxis.
FLEET
发表于 2025-3-23 05:21:06
https://doi.org/10.1007/978-3-663-01367-9compelling theorists of postcolonial democratisation, Frantz Fanon and Amilcar Cabral, before suggesting that their thematic and formal advocacy of critique and deliberation makes these novels into forms of political theory in their own right.
Graphite
发表于 2025-3-23 05:55:10
,Neoliberalism and the ‘Recolonisation’ of Africa,ds by looking at how the struggles and opportunities that characterised the initial period of decolonisation (encapsulated by the thought figure of ‘1968’) are manifested in subsequent African fiction.