BRISK
发表于 2025-3-21 16:20:30
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国家明智
发表于 2025-3-21 22:13:49
Decadence and Modernism in European and Russian Literature and CultureAesthetics and Anxie
象形文字
发表于 2025-3-22 02:34:54
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Indigence
发表于 2025-3-22 05:24:07
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Neutral-Spine
发表于 2025-3-22 12:47:36
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宽宏大量
发表于 2025-3-22 13:06:06
https://doi.org/10.1007/978-3-476-99956-6ustain a coherent epistemological system. Yet this is posited as a legitimate aim for the movement. The belief in a profound superficiality supplies the key to accommodating the mixture of aestheticism and philosophy for which Decadence strives. Dmitrii Merezhkovskii’s novel . (1895) sets up the key
宽宏大量
发表于 2025-3-22 17:31:48
https://doi.org/10.1007/978-3-476-99956-6the age’s deep-seated anxieties and a strategy for coping with the fears induced by the upcoming end of the era and ensuing prospect of social decline. What I call a “Decadent metaphysics” imbues the movement with a productive and aesthetically pivotal place in late nineteenth-century culture. The d
创造性
发表于 2025-3-23 01:02:50
https://doi.org/10.1007/978-94-017-6563-3osing perspectives are introduced. In Wilde’s play, Salome embodies a Decadent style while Iokanaan articulates the Symbolist worldview. In the cosmopolitan and multicultural setting of ancient Judea, Symbolism presents the unseen and intangible as a frightful and unsettling force. The play’s long a
CON
发表于 2025-3-23 02:59:36
Rijndorps Bühne und Ihr Repertoirely. He thinks constantly about his surroundings and strives to understand all of the mysteries he encounters. By placing his experiences in a philosophical framework, Marlow believes he can stave off modernity’s most frightening aspects: uncertainty and doubt. He chooses a distinctly Decadent approa
meritorious
发表于 2025-3-23 06:23:01
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