myopia
发表于 2025-3-25 06:28:54
http://reply.papertrans.cn/27/2641/264093/264093_21.png
痴呆
发表于 2025-3-25 08:38:50
Conclusion: , Endings and Beginnings,ic, the dystopian and the fantastic. They navigated the anxieties and upheavals of the . by reframing fundamental forms of knowledge and perception. This was a chaotic and messy undertaking that hinged on paradigmatic aesthetic and epistemological shifts. Symbolism was not wholly founded on idealism
MAPLE
发表于 2025-3-25 13:18:01
http://reply.papertrans.cn/27/2641/264093/264093_23.png
表状态
发表于 2025-3-25 16:56:35
http://reply.papertrans.cn/27/2641/264093/264093_24.png
半导体
发表于 2025-3-25 23:01:03
ncepts that informed early modernism.Illustrates the histori.Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the 1890s .rewrites the story of early modernist literature and culture by drawing out the tensions underlying its simultaneous engagement wi
Dri727
发表于 2025-3-26 03:23:31
https://doi.org/10.1007/978-3-476-99956-6the physical and the corporeal. Decadence and Symbolism both give access to truths that require a shift in perspective to perceive. They complement the broader historical trajectory of the . by affirming the novelty of a modernist mindset and offering an alternative to the empirical and positivistic atmosphere of the nineteenth century.
吹牛者
发表于 2025-3-26 05:38:19
http://reply.papertrans.cn/27/2641/264093/264093_27.png
CRACY
发表于 2025-3-26 11:05:48
Introduction: Visible and Invisible Modernity,the physical and the corporeal. Decadence and Symbolism both give access to truths that require a shift in perspective to perceive. They complement the broader historical trajectory of the . by affirming the novelty of a modernist mindset and offering an alternative to the empirical and positivistic atmosphere of the nineteenth century.
Mundane
发表于 2025-3-26 16:30:57
http://reply.papertrans.cn/27/2641/264093/264093_29.png
LUMEN
发表于 2025-3-26 19:49:29
https://doi.org/10.1007/978-3-476-99956-6 fragments, to unite his complexly structured first book . (1902). However, this work evidences an aesthetic concern that goes beyond surfaces and is more closely aligned with symbolism’s capacity to generate meaning through correspondences.