Hdl348
发表于 2025-3-25 03:46:25
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喷油井
发表于 2025-3-25 11:33:16
Death, Wealth, and Guilt: An Analysis of ard-winning performance of its lead actor, Daniel Day-Lewis. While these technical aspects of the film are indeed masterful and worthy of study, the film’s narrative—as rewritten by Anderson from the Upton Sinclair novel . (1927/1997)—is also ingenious and deserving of analysis.
jungle
发表于 2025-3-25 12:42:02
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腐败
发表于 2025-3-25 18:02:28
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披肩
发表于 2025-3-25 20:22:16
hors with backgrounds in film analysis, psychology, and philosophy to examine how the knowledge of death, the fear of our mortality, and the ways people cope with mortality are represented in cinema.978-1-349-44686-5978-1-137-27689-6
Individual
发表于 2025-3-26 01:26:46
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替代品
发表于 2025-3-26 05:37:17
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你正派
发表于 2025-3-26 12:24:41
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ALOFT
发表于 2025-3-26 13:17:13
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Cardioversion
发表于 2025-3-26 18:40:28
https://doi.org/10.1007/978-981-10-0721-7 perspectives can be fruitfully applied to examining death in films, in this chapter we focus on how films illuminate the psychological consequences of the human awareness of death. To do so, we utilize a well-supported psychological theory regarding how people manage the problem of death to discuss