窃喜
发表于 2025-3-28 16:15:09
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跟随
发表于 2025-3-28 20:13:29
,Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s nt to a small circle of human allies who derail his plans. Ultimately, the film’s complex interaction between Bowie’s musical and film personas, and the film’s engagement with Romanticism and capitalism, forces viewers to confront the difficulties of affirming Romantic resistance against modernity while being deeply implicated in it.
恶臭
发表于 2025-3-29 00:08:10
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捕鲸鱼叉
发表于 2025-3-29 06:05:45
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Coronary
发表于 2025-3-29 07:34:35
Negative Capability in Space: The Romantic Bowieverse,, from 1969’s “Space Oddity” to 2013’s “Dancing Out in Space” in the light of John Keats’s concept of negative capability. Guenther argues that Bowie’s space and alien imagery is developed “in anticipation of the deaths of self, the anthropocene, humanity, and the Earth itself,” so that Bowie’s alie
exercise
发表于 2025-3-29 12:58:05
Drug Use and Drug Literature from the Eighteenth Century to David Bowie, Samuel Taylor Coleridge and Thomas De Quincey to David Bowie passing through Baudelaire, Victorian pre-Raphaelites, and Aleister Crowley on the way. The chapter focuses on Bowie’s drug references from . (1970) to . (1976), discussing Crowley and the Pre-Raphaelites in relationship to this period of
Phagocytes
发表于 2025-3-29 16:15:41
,Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s f Romanticism, asking how his character represents the positive, regenerative forces of Romanticism against the forces of modernity. It posits that the film implies a Romantic home world of origin against the capitalist modernity of late twentieth-century Earth, a pastoral community that can be atta
过度
发表于 2025-3-29 21:30:02
Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism, such as Neu!, Kraftwerk, Tangerine Dream, and Manuel Göttsching. Bowie’s European predecessors are themselves examined in the light of German Romanticism, the concept of “Sehnsucht,” and the Bildungsroman tradition, all of which inform Bowie’s own negotiations of artistic identity in this period. A
formula
发表于 2025-3-30 01:10:49
,Relics of The Future: The Melancholic Romanticism of Bowie’s Berlin Triptych,melancholia expressive of mourning and resilience. This melancholia, per Michael Löwy and Robert Sayre’s study ., is an expression of resistance to capitalist modernity and the alienating effects it has on the subject. This chapter traces expressions of it in select tracks from . and “.,” bringing B
Condyle
发表于 2025-3-30 07:52:14
,“Rebel Rebel”: Bowie as Romantic “Type”,el’: Bowie as Romantic ‘Type’” explores the ways in which Bowie’s performances of gender exemplify and amplify notions of “the Romantic” to offer insight into the Romantic figure as a problematically melancholic cultural type, even in its relatively conservative forms. This chapter draws from studie