知识
发表于 2025-3-23 11:25:06
Anastasia V. Sheveleva,Maxim V. Cherevikconsideration of his artistic oeuvre and a continuation of his engagement with post-World War II fascism. It follows the development of . from its source material in the unreleased . suites and then reviews plot, character, diction, and setting to organize the material in this very non-linear drama.
Cocker
发表于 2025-3-23 17:07:25
https://doi.org/10.1007/978-3-319-64113-3radition. The tradition both prepared the dying for an artful death and directed those left how to mourn. As a modern exemplar of this tradition, Bowie teaches us how to use art to cultivate the type of community necessary to shape a meaningful experience of death. Drawing from Philippe Ariès’s stud
remission
发表于 2025-3-23 20:14:05
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exercise
发表于 2025-3-23 23:46:18
978-3-030-97624-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
Judicious
发表于 2025-3-24 05:25:37
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hyperuricemia
发表于 2025-3-24 07:29:17
Palgrave Studies in Music and Literaturehttp://image.papertrans.cn/d/image/263848.jpg
净礼
发表于 2025-3-24 11:37:35
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他很灵活
发表于 2025-3-24 14:57:19
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窃喜
发表于 2025-3-24 22:49:55
David Bowie and Romantic Androgyny, Bowie’s androgyny reflects his existence as a contemporary Romantic. This chapter negotiates conflicting information about Bowie’s sexuality in the 1970s, his 1979 performance on ., “The Width of a Circle” as a homoerotic text, and includes discussion of the reception history of Bowie’s androgynous figures.
外形
发表于 2025-3-25 00:20:44
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