解决 发表于 2025-3-26 21:28:39
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„Forever on the move“ – Politische Arbeit im NS-Spielfilm ting on the streets of Berlin. A close reading of exemplary scenes elaborates how . as a narrative audiovisual text, presents its identification offerings by using the depiction of work, realizes them cinematically, and thereby becomes a projection surface for Nazi ideology.Latency 发表于 2025-3-27 08:09:52
„Lehrlinge entscheidend an der Produktion beteiligt!“ – Arbeitsnarrative im NS-Jugendspielfilm ,(194following narratives of labour: the toughening effect of physical labour, the benefits of technical apprenticeship, the overcoming of class barriers, the tremendous self-exploitation and the instrumentalization of the aviation myth which is transferred to military production.Hdl348 发表于 2025-3-27 10:12:57
Editorial,al concept, refers to historical inscriptions, poetological and cultural-political programmes, utopian ideas or dystopian scenarios, (gender) images as well as iconographic settings, to name just a few of the diverse aspects. Research in literary and cultural studies has been exploring the manifold高脚酒杯 发表于 2025-3-27 16:21:03
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Arbeit und Kindheit. Ein Sortierungsversuch für die sozialwissenschaftliche Kindheitsforschungabour in order to develop and be educated. Ideally children are doing well when they do not have to work, but many children, especially in the Global South, have to earn money through labour. This article addresses the question of how much research on children, their lifeworlds, experiences and perscommensurate 发表于 2025-3-28 01:41:00
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Arbeit im Mythos. Heinzelmännchen-Figurationen in Märchen und Mediens on the recoding and, in particular, the projections and functionalisations that are associated with the adaptations in different historical, cultural and media contexts. The article is framed with reflections on the role of work in folkloric narrative forms as well as on the history of the sources小虫 发表于 2025-3-28 10:48:44
Müßiggang ist aller Laster Anfang. Zur literarischen Repräsentation von Arbeit in Joachim Heinrich Cthe most popular adaptations of Daniel Defoe’s . (1719). Both novels tell the story of a young man who, after a shipwreck on an uninhabited island, must live off his own labor in order to survive. Campe, however, both added new emphasis to the content and changed the narrative procedures: Defoe’s co