官僚统治
发表于 2025-3-25 04:45:13
,Ethnographic, Structuralist and Real Time Filmmaking,e “narrative” filmmaking’. This chapter introduces the film theory and aesthetic analysis of Lange’s real time, sparsely edited, observational style, which shared some of the structural parameters that Nöel Burch attributed to ‘primitive cinema’—a ‘purer’ cinema reduced to its basic elements and unt
infantile
发表于 2025-3-25 07:43:46
Images of People at Work,covery and re-evaluation of the social function of photographic practice that emerged in the 1970s as a critique of Modernism, and the ideological objectives and utopian aspirations of the socially engaged documentary tradition of the 1920s and 1930s—Soviet factographers, the Worker Photography move
Genetics
发表于 2025-3-25 13:12:19
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Headstrong
发表于 2025-3-25 18:48:27
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艺术
发表于 2025-3-25 21:59:46
Conclusion,t work that was obstinate, earnest and singular. Dan Graham, via T. J. Clark, once described Lange as ‘a late 20th-century Gustave Courbet, a man of the New Zealand countryside who became an avant-garde, urban, political artist’. Lange’s pursuit of realism was in solidarity with the working class in
埋伏
发表于 2025-3-26 02:35:58
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媒介
发表于 2025-3-26 05:17:38
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蛙鸣声
发表于 2025-3-26 11:24:08
M. L. Whitehead,J. P. Wilson,R. J. Baker. He saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. Lange, like many of his early socially engaged video ., held utopian hopes f
不易燃
发表于 2025-3-26 13:46:14
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打折
发表于 2025-3-26 19:54:03
M. Merchan,D. E. Lopez,E. Saldaña,F. Colliae “narrative” filmmaking’. This chapter introduces the film theory and aesthetic analysis of Lange’s real time, sparsely edited, observational style, which shared some of the structural parameters that Nöel Burch attributed to ‘primitive cinema’—a ‘purer’ cinema reduced to its basic elements and unt