不正常
发表于 2025-3-21 19:46:52
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巧思
发表于 2025-3-21 20:50:13
M. L. Whitehead,J. P. Wilson,R. J. Bakerhotography and video shortly after. He desired that his art serve a social function, from the early observational video series . (1971–75), documenting people at work in factories, mines and rural settings, and the socially engaged . (1976–77) in Britain, to the . (1980), joining Indigenous activist
GUISE
发表于 2025-3-22 01:39:43
M. Merchan,D. E. Lopez,E. Saldaña,F. Collia (Harun Farocki and Kevin Jerome Everson). Ethnographic film discourses serve here to examine the politics of representation and the social and political inflections embedded in Lange’s early works, such as . (1972) and throughout his . (1972–77).
欢乐中国
发表于 2025-3-22 05:45:54
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衣服
发表于 2025-3-22 10:29:16
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禁止
发表于 2025-3-22 16:25:21
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禁止
发表于 2025-3-22 20:22:42
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一起平行
发表于 2025-3-22 22:10:37
,Ethnographic, Structuralist and Real Time Filmmaking, (Harun Farocki and Kevin Jerome Everson). Ethnographic film discourses serve here to examine the politics of representation and the social and political inflections embedded in Lange’s early works, such as . (1972) and throughout his . (1972–77).
syncope
发表于 2025-3-23 04:37:57
Images of People at Work,alist, socially engaged documentary tradition. He sided with the workers rather than addressing labour for a political argument, contrasting with the more programmatic articulations of his radical left and feminist contemporaries. Lange’s . examine work in its manifold meanings, including the workin
lacrimal-gland
发表于 2025-3-23 09:20:11
Education, Participation and the Making of the Subject,ctices as theoretically defined by Claire Bishop, that sought to activate the role of the artist in society. The dialogical nature of Lange’s video raises issues to do with the methodological analysis of this work, whether it ought to be framed within the discourses of video—the notion of feedback,