frugal
发表于 2025-3-25 03:39:18
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煤渣
发表于 2025-3-25 09:09:06
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青石板
发表于 2025-3-25 12:46:26
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defile
发表于 2025-3-25 18:53:30
Kristen MacAskill,Peter Guthrieerations progressively lose connection with their sources of vitality and integration, so too does Lawrence gradually lose contact with his own most creative—energetic, positive, and inventive—resources. It is as if in portraying the decline of the Brangwen generations, he prophesied his own physica
喷油井
发表于 2025-3-25 20:54:11
https://doi.org/10.1057/9781403978240argue; concept; consciousness; David Herbert Lawrence; discourse; experience; love; novel; pattern; structure
泄露
发表于 2025-3-26 03:09:56
978-1-349-53067-0Charles Michael Burack 2005
时代
发表于 2025-3-26 04:36:47
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GNAT
发表于 2025-3-26 08:41:25
The Rainbow,ience a fourfold rhythm of rising and falling energy and of integrated and splintered forms of awareness. Moreover, in the representations of the early generations, the vitalization stages are longer and stronger than the destruction phases, whereas in the depictions of the later generations, the re
小虫
发表于 2025-3-26 14:54:08
Women in Love, triumphed, and the only solution now conceivable to him was a small-scale one: the self-renewal of a coterie of “natural aristocrats,” of a clan of couples willing to detach themselves from the decadent body politic and to “save” themselves by forming new types of relationships. As readers begin .,
AXIS
发表于 2025-3-26 18:49:21
The Plumed Serpent,vivifying impulses in his earlier novels, but in this work the ideological imperative too often drives and distorts narrative development. In trying too overtly to control the representation of his religious ideology and its effects on the characters and the reader, Lawrence makes significant litera