束缚
发表于 2025-3-23 13:46:35
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确定方向
发表于 2025-3-23 17:05:54
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拍翅
发表于 2025-3-23 18:08:43
2195-9056 iod of computer art 1969 - 1975.Learn about Ecogame (1970), .This book is centred on the practitioner-led Computer Arts Society founded in 1969 and formed to address creative computation in all the arts – performance, poetry, text, sound, sculpture and graphics. The objectives and achievements of th
HAIRY
发表于 2025-3-23 23:58:40
Gleichungen aus Separationsansätzensystems thinking, to which Mallen brought his own unique contributions. The chapter prioritises design over other disciplines, reflecting not only the primary job that Mallen was employed to do at the RCA, but also his conviction that design presents special properties as a human—and perhaps machine—activity.
言行自由
发表于 2025-3-24 05:28:07
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TOM
发表于 2025-3-24 08:07:28
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HEW
发表于 2025-3-24 12:04:43
,“The Name of the Game Is…? A Personal View of the Computer Arts Society’s Project”,s and computer graphics, in which he describes the conception, implementation and reception of ., (1970) an early interactive complex system referencing ecology and economics, in which he was involved.
十字架
发表于 2025-3-24 17:42:19
The Object is the Process: Computer Art Exhibitions of the 1970s in London and Edinburgh,. was created, culminating in the ground-breaking . in Edinburgh, 1973. These exhibitions, international in scope and attracting a wide variety of artist participants, demonstrate that CAS members were aware of the many possible roles of the computer in creative processes and considered how best to
GUILE
发表于 2025-3-24 19:54:35
Art, Cybernetics and Social Intervention: An Interview Between Stephen Willats and George Mallen,discuss their shared interest in devising interactive systems, based on the science of cybernetics, that allow participants shared art experiences mediated through the system. This was art as a system involving feedback between machine and creator, creator and audience and audience and machine.
SPER
发表于 2025-3-25 02:45:33
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