AMOR 发表于 2025-3-28 18:06:31
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Introduction: Culture Wars Revisited: Navigating Gender Dynamics in Post-2010 Social Horror,l practice. Twenty-first-century culture wars, encapsulated in a not-so-latent populism, have become a form of polarization and simplification of social interests and political ideas, poised to accomplish the unity of the people above and against its parts, and constituting a political mode where wa敬礼 发表于 2025-3-28 22:58:32
Woke Gal Gone Bad: Populism and Gender Trouble in , (2021)uctures the fundamental dialectics of contemporary culture wars. Divisive conflicts between irreducible identities based on emotional, post-enlightened affections have taken over mainstream debates on actual, effectual, and effective politics, so much so that populism(s) arguably need to deploy extr前兆 发表于 2025-3-29 04:15:21
Living Deliciously? The Borderless Horror of Female Empowermenteld, and the bonds they form emerge as sites of terror. Emanuele de Feudis’s . (., 2020), Ángel Gómez Hernández’s . (., 2020), and Robert Eggers’s . (2015) capitalize on culturally specific traditions of misogyny and present female bodies as repository of ancestral horror. In ., the desperate ghostFAWN 发表于 2025-3-29 10:31:39
The Culture That “Can’t Anymore”: Ari Aster’s , (2019) as Pilgrimage of a Traumatized Society 2019), this chapter suggests, is . (Aster, 2019) original horrific place or ., while everything else is symbolically organized around it. Noting the allegorical potential of Aster’s film, . horror locus is conceived in relation to the notion of . or “pleasance,” an established literary . for an ideesoteric 发表于 2025-3-29 14:26:30
Nature: Creation, Apocalypse, Climate Skepticism, and Darren Aronofsky’s , (2017)or the more ambitious art film containing overt biblical allegories and disturbing themes. Aronofsky, known for the religious themes in his work, invested . with numerous references to the Hebrew Bible and New Testament. This allegorical film can be easily read as a visual sermon on creation and envATP861 发表于 2025-3-29 16:29:39
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Decay and Fear: , (2011) as Social Horrorlast couple of decades. Movies exploring ecological horror have articulated changing viewpoints on the human damage to nature, reminding the audience of the alterations in climate and nature and their detrimental ramifications in the biosphere and human life. Though nature has been perceived as a ha