Mangle
发表于 2025-3-23 10:48:50
C. West Churchman‘s Legacy and Related Worksal traditions of gender violence. They do question but nonetheless do not resist the temptation to capitalize on representations of the subversive woman as monstrous, which emerges as a resilient site of fear, especially, as I argue, in a post-MeToo world.
滔滔不绝的人
发表于 2025-3-23 16:34:21
In Search of an Ethical Sciencensiders the phenomenon of justified female sacrifice in the form of physical and emotional disposability, as both Western and, more specifically, white man’s cultural phenomena, resulting in its normalization in a culture of isolation and (emotional) detachment within a globalized community as its m
BOLUS
发表于 2025-3-23 19:36:12
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无辜
发表于 2025-3-23 22:55:18
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Brittle
发表于 2025-3-24 02:29:27
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宠爱
发表于 2025-3-24 07:20:15
https://doi.org/10.1007/978-0-387-36542-8naugh, as well as industry conditions that allowed horror cinema to turn back to the political and put more women in the director’s chair. From there, the chapter will provide synoptic overviews of each cycle, highlighting representative themes across a collective of films and their relation to the
cluster
发表于 2025-3-24 14:01:15
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是限制
发表于 2025-3-24 18:00:23
Women in Organized Crime in Argentina’s bond is principally shown in the second part of the film (called “Detour”), quite stranded from civilization and within the natural and suburban environment, reinforced by the presence of the abject.
临时抱佛脚
发表于 2025-3-24 20:54:57
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Harass
发表于 2025-3-25 01:57:21
John P. Gigch (Professor Emeritus)and oppression and discusses the ways witchcraft grants (or does not grant) agency to women. Finally, the chapter addresses how this dark fairy tale uncovers fears and anxieties regarding intersecting hierarchies of gender and religion and its implications for the current sociocultural landscape in the United States.