Tartar
发表于 2025-3-28 17:03:15
Beyond Work and Sex in Czech Cineman a half century. Few of these studies investigate the centrality of dance in its narrative, or the unusual placement of a Hollywood reconstruction of a forgotten eighteenth-century Hapsburg ländler, in its principal courtship scene. Yet, when analyzed with recourse to choreographic history/theory,
PALL
发表于 2025-3-28 21:01:19
Beyond Work and Sex in Czech Cinemaademy, is long overdue for reconceptualization and revitalization. Drawing upon innovative ideas within New Materialism and Performance Studies, I suggest that we inhabit and “feel with” our historical source materials, imagining embedded relationships and interactions while allowing ourselves to be
能够支付
发表于 2025-3-29 02:44:29
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Mingle
发表于 2025-3-29 04:38:04
icate narratives of transmission and cultural memory, as these are reshaped by technological developments. It addresses, more specifically, the sensory and affective experience procured by filmed dance/music circulating within transnational music and dance circuits connecting artists and fans from f
Conducive
发表于 2025-3-29 09:24:11
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FOLD
发表于 2025-3-29 12:51:53
Tap Dance and Cultural Memory: Shuffling with My Dancestorsuffles.” Bufalino’s comment characterises a concept I call dancestry. Similar to following bloodlines through ancestry, dancestry traces movement legacies through dancers’ bodies. Drawing together social-habit memory (Connerton, .. New York, NY: Cambridge University Press, 1989), the repertoire (Tay
SNEER
发表于 2025-3-29 19:15:17
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AVOID
发表于 2025-3-29 23:19:36
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Middle-Ear
发表于 2025-3-30 00:17:36
Parading the Past, Taming the New: From Ragtime to Rock and RollPaul Ricoeur’s terms) to make seemingly transgressive social dance styles socially acceptable to a broad, commercial audience. Ricoeur’s concerns, described in . (2004), led me to consider the process by which popular dances, cast as risqué or immoral, are tempered by calls to past styles of dance t
Flatter
发表于 2025-3-30 06:24:05
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