符合国情
发表于 2025-3-25 04:43:00
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CRASS
发表于 2025-3-25 11:11:21
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善于
发表于 2025-3-25 14:52:38
Filmed, Felt, and False Rhythms: Dance Videos and an Embodying “Home” in Post-migrationand London: Duke University Press, 2000). The embodied knowledge of rhythm and dance, both transmitted within families and gained through a mimetic relationship with filmed images, is a core theme in these public negotiations. This is examined in the analysis of a YouTube-mediated conflict between A
Rheumatologist
发表于 2025-3-25 17:54:01
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沉积物
发表于 2025-3-25 22:10:49
Cultural Memory and Popular Dance978-3-030-71083-5Series ISSN 2634-6257 Series E-ISSN 2634-6265
adipose-tissue
发表于 2025-3-26 03:46:23
https://doi.org/10.1007/978-3-030-71083-5Popular Dance; Cultural Memory; Commemoration; Cultural Identity; Popular Performance; Embodied Memory; Pe
PARA
发表于 2025-3-26 08:01:52
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Intend
发表于 2025-3-26 08:53:12
Clare ParfittFocuses on popular dance, as opposed to theatrical high art dance, and emphasises the geographical diversity that this medium covers.Re-visits some of the most influential theories about how memory an
BLINK
发表于 2025-3-26 16:07:01
Palgrave Macmillan Memory Studieshttp://image.papertrans.cn/d/image/240850.jpg
FLUSH
发表于 2025-3-26 17:00:25
Conclusion: The Twilight of an Idol,ntanglement of popular dance practices with both personal and collective dimensions of memory. The chapter then traces the role of popular dancing bodies in the development of ideas about cultural memory from the turn of the twentieth century to today. It argues that approaches to embodied memory ha