Urgency
发表于 2025-3-28 16:15:24
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ASSAY
发表于 2025-3-28 22:10:03
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induct
发表于 2025-3-29 02:59:57
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传授知识
发表于 2025-3-29 03:54:04
t to the ever-growing number of academics and research students that are specializing in studies of cult cinema and fan practices, as well as professionals (filmmakers, journalists, promoters) who are familiar with these types of films..978-3-319-87612-2978-3-319-63679-5
头脑冷静
发表于 2025-3-29 08:36:54
Introduction,lates how home media releases complicate definitions of cult, as demonstrated through case studies. The aim of the introduction is to show how the book intervenes and progresses debates and investigations of both cult film and home media research, as well as outlining summaries of the contributor’s
jovial
发表于 2025-3-29 14:20:01
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spinal-stenosis
发表于 2025-3-29 18:57:12
Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Cemselves with specific quarters of the industry, most visibly arising from cult and marginal film markets, or from prestige and art film markets. However, in recent years, there has been a blurring of these categories as both sectors extend their catalogue into what would have historically been unde
反馈
发表于 2025-3-29 21:17:37
A “Cult-like” Following: Nordic Noir, Nordicana and Arrow Films’ Bridging of Subcultural/Neoculturalribution of TV shows on DVD/Blu-ray. I will re-open the question of Arrow’s agency as a distributor (Wroot 2015), addressing how Arrow Films has sought to materially channel fan affects via Nordicana and DVD signings. Arrow’s involvement in Nordic Noir as well as B-movie/genre cinema suggests that t