CULT
发表于 2025-3-21 17:47:41
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柳树；枯黄
发表于 2025-3-21 21:21:47
Prisoner of Cool: Chloë Sevigny, Alternative Stardom and Image Managementwith independent cinema ‘are not as widely known as blockbuster stars, then distinctions need to be drawn between “popular” stars and “cult” stars’ (1998: 199). While Sevigny has appeared in a few Hollywood movies, the majority of her acting appearances have been within independent films, in both lo
大笑
发表于 2025-3-22 04:27:00
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Defraud
发表于 2025-3-22 04:42:32
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泥瓦匠
发表于 2025-3-22 09:05:21
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Geyser
发表于 2025-3-22 16:08:41
Damaged Beauty: Montgomery Clift, Tragedy and the Redefinition of a Star Imageone of a number of cinematic instances ‘where film exploits the decay of celebrity players’, making use of the physical evidence of a star’s biography and deterioration in its depiction of character and narrative (Naremore 1988: 20). Clift’s damaged appearance in his post-crash films becomes a consi
Geyser
发表于 2025-3-22 19:44:26
Forever ,: Sylvia Kristel and Soft-Core Cult Stardomriomphe cinema on the Champ-Elysées, one of the most prestigious avenues in Paris, where it would remain for thirteen years with English subtitles and an enormous billboard featuring a provocative Kristel sitting topless in a cane chair staring at the camera. . was such a social phenomenon at the ti
手术刀
发表于 2025-3-22 23:52:29
Well-Being and Employee Engagementlities of those ‘stars’ who appear in such texts (whether, as J. P. Telotte argues (1991), they are conventionally considered as mainstream or marginal films). But the term is also employed away from canonical cult texts to describe other atypical performers who nevertheless have a presence within m
失望昨天
发表于 2025-3-23 05:18:09
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invade
发表于 2025-3-23 07:05:26
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