hematuria 发表于 2025-3-28 17:05:10

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傀儡 发表于 2025-3-28 18:53:57

Crossing the “Gender Frontier”: Cross-dressing and Male Impersonation in Sarah Waters’ , (1998)Sarah Waters presents the story of a protagonist who managed to cross the gender frontier twice, both as a male impersonator and as a cross-dresser. The focus of this paper is therefore on the means and processes of the heroine’s transgression of socially accepted gender roles in 19th century London

悠然 发表于 2025-3-29 00:53:30

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感激小女 发表于 2025-3-29 05:26:10

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Anthem 发表于 2025-3-29 10:41:58

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最高峰 发表于 2025-3-29 12:16:54

Cutting into a New World: Reading , Through Slavoj Žižekeft end of the political (as much as philosophical) spectrum, the playwright would not shun the reputation of a critic of the so-called postmodern ideology. The paper aims to analyse Ravenhill’s . as an attempt on the part of the playwright to engage with cultural theory and psychoanalysis. With its

Hallmark 发表于 2025-3-29 16:07:41

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Charlatan 发表于 2025-3-29 22:19:17

A Post-Battle Landscape: Doris Lessing’s , and , herself and gain on a new identity. Similarly, although in a different manner, this desire to find a space beyond the existing social limits is repeated in . (2007) as a dream of an all-female world before the arrival of sexual difference. Thus repetition can be seen as the regulating principle wor

Malcontent 发表于 2025-3-30 03:22:31

Near the Riverbank: Women, Danger and Place in Dickensin England, focusing on Nancy from . and Martha’s, the heroine’s from ., relationship with and attitudes towards this physical and figurative geography and how it shapes the crucial moments in their lives. Exploring the relationship of these two characters to the many boundaries they encountered, cr

ABHOR 发表于 2025-3-30 06:13:01

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查看完整版本: Titlebook: Crossroads in Literature and Culture; Jacek Fabiszak,Ewa Urbaniak-Rybicka,Bartosz Wolski Book 2013 Springer-Verlag Berlin Heidelberg 2013