Incisor
发表于 2025-3-23 11:52:33
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Gudgeon
发表于 2025-3-23 14:35:19
,The King’s Many Bodies: Fiona Shaw’s , (1995–96),1, 1995), used the production as an opportunity to lampoon what she termed “Third Sexers”: “It has become an acceptable liberal line in recent years that anything which ‘crosses the gender boundary’ is a Good Thing.… This includes transvestites, transsexuals … and now ‘Third Sexers.’ As if two hadn’
简略
发表于 2025-3-23 19:51:12
,Staging and Subverting Nostalgia: Dawn French’s Bottom in , (2001),eautifully detailed forest for the fairy world that recalled the spectacular Victorian stagings of the play The result was a production that was far more conventional than those of Warner, Kaut-Howson, and Udovicki.
assent
发表于 2025-3-24 00:43:00
,Vice-Versa: All-Female Shakespeare at the Globe Theatre (2003–04),e told Benedict Nightingale in the . (February 4, 2003), “it’s unjust that men should get many more opportunities than women to show their strengths in classic roles.… ‘Isn’t there an enormous waste when women achieve McKellen’s or Gambon’s ability yet haven’t a King Lear to play?” L
Insubordinate
发表于 2025-3-24 02:45:08
Weibliche Sexualität im Lebenskontext1, 1995), used the production as an opportunity to lampoon what she termed “Third Sexers”: “It has become an acceptable liberal line in recent years that anything which ‘crosses the gender boundary’ is a Good Thing.… This includes transvestites, transsexuals … and now ‘Third Sexers.’ As if two hadn’
Macronutrients
发表于 2025-3-24 09:22:41
https://doi.org/10.1007/978-3-86226-885-6eautifully detailed forest for the fairy world that recalled the spectacular Victorian stagings of the play The result was a production that was far more conventional than those of Warner, Kaut-Howson, and Udovicki.
个阿姨勾引你
发表于 2025-3-24 14:09:35
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浓缩
发表于 2025-3-24 16:21:28
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动物
发表于 2025-3-24 21:42:50
https://doi.org/10.1057/9780230622609English; gender; identity; King Lear; nation; performance; play; theatre; William Shakespeare; British and Ir
委派
发表于 2025-3-24 23:44:36
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