Interpolate
发表于 2025-3-21 18:53:36
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tariff
发表于 2025-3-21 20:42:20
,Die (Er-)findung der eigenen Identität, According to this autobiographical reading of the play, Prospero’s speech that begins “Our revels now are ended” (4.1.148) articulates Shakespeare’s farewell to the theater, and the association between the author and the magician means that the play represents “Shakespeare’s last and best expression of human reality” (Vaughan 1999, 89).
guardianship
发表于 2025-3-22 03:21:01
,Playing with Contradictions: Kathryn Hunter’s , (1997), production, Kaut-Howson and Hunter created an interpretation of Shakespeare’s tragedy that was rooted in an exploration of the contradictions of . critical and performance history, in which “many voices confront each other” (Rosenberg 1972, 5).
CRUMB
发表于 2025-3-22 05:31:34
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搜寻
发表于 2025-3-22 09:33:50
,The King’s Many Bodies: Fiona Shaw’s , (1995–96),gow ., June 6, 1995). The “dangerous” element was the casting of Irish actress Fiona Shaw in the title role, and her “daring” performance produced a mixed critical response. While some reviewers responded rapturously, many demonstrated overt hostility to a woman playing a male Shakespearean role. An
设施
发表于 2025-3-22 15:50:22
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设施
发表于 2025-3-22 18:15:53
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Mendacious
发表于 2025-3-23 01:08:05
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Essential
发表于 2025-3-23 04:56:06
,Vice-Versa: All-Female Shakespeare at the Globe Theatre (2003–04),stic director Mark Rylance unveiled his plans for a brand new all-female company to complement the theater’s long-standing all-male company. The Women’s Company, composed of fifteen actresses, performed ., with Kathryn Hunter in the title role, and ., with Janet McTeer as Petruchio. This experiment
进取心
发表于 2025-3-23 06:57:03
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