麻烦
发表于 2025-3-21 16:15:56
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范例
发表于 2025-3-21 23:40:51
Form, Historical Crisis and Poetry’s Hope in George Szirtes’s ‘Metro’ post-war European histories and migrations. Szirtes was born in Budapest in 1948 to parents who had survived the Holocaust. Szirtes’s family travelled, via Austria, to England in December 1956 as refugees from the communist invasion of Hungary. Written in English and published since the early 1970s
忍耐
发表于 2025-3-22 04:15:31
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lethal
发表于 2025-3-22 05:55:58
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STEER
发表于 2025-3-22 10:12:52
‘In a ghostly pool of blood / a crumpled phantom hugged the mud’: Spectropoetic Presentations of Blohose who are not yet born or who are already dead, be they victims of wars, political or other kinds of violence, nationalist, racist, colonialist, sexist or other kinds of exterminations, victims of oppressions of capitalist imperialism or any form of totalitarianism’ (Derrida, 1994, p. xix). Such
斗志
发表于 2025-3-22 13:58:16
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斗志
发表于 2025-3-22 20:53:04
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背信
发表于 2025-3-22 22:29:16
The Mundane and the Monstrous: Everyday Epiphanies in Northern Irish Poetryably, it captures a crucial dimension of what the first generation of Troubles poets inherited from Larkin and the Movement. There is, on the one hand, the persistence of a Romantic or Symbolist desire to transgress or transcend the bounds of given experience,. responding to a crisis of confidence i
粗俗人
发表于 2025-3-23 03:19:47
‘The memorial to all of them’: Landscape and the Holocaust in the Poetry of Michael Longleyvelations’ of the ‘pitiless’ predation in nature (ibid., p. 118).. He describes how a hawk with a sparrow in its claws, got tangled in a sheet hung out to dry, but escaped with the smaller bird still shrieking in its clutches. He then tells of a long-tailed tit’s dome-shaped nest, ‘so secure and coz
Bureaucracy
发表于 2025-3-23 05:41:03
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