jet-lag
发表于 2025-3-30 10:26:53
‘Crisis first-hand’: Seamus Heaney before and after the Ceasefiree shift from long-established and accustomed modes of behaviour to the sudden apprehension of crisis. It happens in ‘Funeral Rites’ with the deftly placed ‘Now’ at the beginning of Section II of the poem, preceding the grotesque and intimate alignment of ‘neighbourly murder’: ‘Now as news comes in /
现晕光
发表于 2025-3-30 15:14:42
‘The memorial to all of them’: Landscape and the Holocaust in the Poetry of Michael Longleyt. The seven-year-old is chastened by his impact on this world. Nonetheless, having fought his curiosity for a week, the child returns to the tree only to witness a previously unimaginable level of specifically human destructiveness. The poet’s anger remains visceral over sixty years after this even
scrutiny
发表于 2025-3-30 18:03:28
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Extort
发表于 2025-3-30 21:37:25
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hegemony
发表于 2025-3-31 01:25:21
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hysterectomy
发表于 2025-3-31 07:14:04
The Body of Text Meets the Body as Text: Staging (I)dentity in the Work of SuAndi and Lemn Sissay and performance heritages) and yet also frequently identifying with African diasporic traditions as a resistance to their socio-political marginalization in national, racial and familial relations. Their work spans written and spoken-word genres (poetry, monodrama) and presents a challenge to exist
indoctrinate
发表于 2025-3-31 12:49:28
Anne Karhio (Lady Gregory Fellow),Seán Crosson (Pr
和平主义者
发表于 2025-3-31 16:27:38
,Wasserförderung und Mengenmessung, historical contexts. Michael Murphy writes of the ‘witness’ that ‘his poetry bears to events that engulfed Central Europe in the middle years of the 20th century’ (Murphy, 2004, p. 143). ‘Bearing witness’ is indeed a key element in the processes of remembrance, reconstruction and retrieval that cha
Herbivorous
发表于 2025-3-31 18:13:19
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